I feel so fortunate to be able to live in Cornwall, with all its rugged beauty and freedom of spirit, and make Japanese-inspired pots. I learned in Japan the importance of expressing grace and delicacy with smaller pieces and energy and vigour with the big ones, and that is what I have tried to achieve for the last 30 years. I work with an unusually wide array of clays, glazes and kilns, always searching for beauty in thrown forms and glazed finishes and hoping to add some loveliness to the world with fire and clay.
Oh why, oh why?
